The New Hip-Hop Examiner

Family Pains

2010-01-08T22:16:00.000-08:00

Us talk, why?
Cause these days, I really ain't got too much to say.
My conversation and thoughts are written all over my face.
Ugh, I'm just disgusted by your actions as of late.
Honestly this is BS and you're a disgrace.
Yeah, I know this is family, but you made an outsder out of me, so this is the time and place.
Answer this, what am I to do?
Really I'm asking cause I have no conversation for you.
As a matter of fact this sour feeling of pain and disdain its all for you.
But its my fault I should've read all the clues.
Now I see you for you, and the picture is crystal I see straight through.
You're focused in the lens and the shots been made.
So I'm done now cut, end scene, now everybody exit the stage.
Take a bow the performance was well played.
But we stand with lines drawn and the war's been waged.
Time for your penance and atonement to be paid.
No more talk just bullets, chalk, and coroners with their white sheets out.
All for the games of your mind and words of your mouth.
Now its bone cracking, blood drunken madness, kill em all no whores will be saved.
Just hair standing on end with cold chills followed by the piercing of blades.
While young girls shriek from watching people's life force fade.
Yet and still mothers fall and wail for sons and daughters that have passed away.
And the law can't police us without causing their own blood to stain.
All the while we're the villains and murderers just beyond the darkness and shade.
But memories of this will haunt you forever, remember you brought forth this war and all its pain.
So the blood on your hands can't be washed away by eons of rain.

Struggling

2010-01-08T21:54:00.000-08:00

I am at a time when I am trying to lose my mind.
All because I lost my peace which has taken a lifetime to find.
On top of it all its nightfall and cold even when the sun shines.
I just want to step out of my life and see it through the blinds.
Looking at it frame by frame just one scene at a time.
The pressure is high, but I am trying not to crumble singing Victory Today Is Mine!
But recently my whole situation abruptly turned to Hell, leaving me wondering, "Is God testing my faith, or is Satan playing games?"
Right now its to hard to tell.
Although I do know I am at my wit's end and my sanity is frail.
I still hit my knees and thank God in the midst of this for letting me prevail!
Even though I am unsure of the lesson I am supposed to learn.
I just hope I get it soon because this place I pray I never have to return.
Its been series after series of humbling experiences.
I just stay hopeful that I make it through these experiments.
I just know one thing and that is that family will really show you what wicked is.
I just want to turn it all off, but I can't figure out which switch it is.

The Lieutenant & His Plague!

2009-10-01T22:28:00.000-07:00

LT mOE

LT mOE, is a one time deejay turned producer, from Cleveland, OH. He has worked with artists such as Ludacris, Jean Grae, Tony Yayo, Stat Quo, Murz, Trey Songz, and Snoop Dogg to name few. He not only produces, he is also a video director/editor, engineer, studio owner, and songwriter. Together with his group The Plague Co. (Donny Arcade, Buddy Boie, and Okelis) and growing catalog of tracks he will definitely be a person of interest in the years to come. Check out their self-titled EP The Plague Co. with special appearances from Phoenix Jones and Ahdae. This EP boasts a sound like no other and LT mOE has opened up his production with mind blowing sounds! Stay tuned and pay attention to the Lieutenant and his Plague its a worldwide pandemic!

Check out The Plague Co. EP here.

During your 12 year grind you’ve had many accomplishments. Would you describe your journey from dream to fruition?

My journey from the beginning up to this point in my career has been not too fast, but not too slow making steps in the forward direction towards the goal I have yet to reach.

What does LT mOE stand for, and why is the “M” in mOE lowercase?

The name started out as LT and at first it stood for Little Todd then as time past it changed to Lord Tyrant. It was my tag for when I was doing graffiti and trying to be a DJ, after that LT was just a name with no particular meaning. The mOE got added after I got my first Major placement on Ludacris’ ” Red Light District ” album in 2004 track # 10 ” Spur of the moment ” feat. DJ Quik & Kimmi. The LT these days stands for lieutenant (lutinent) and the mOE is an abbreviation for my last name Moore. The lower case ” m ” was for design purposes.

You’re from Cleveland home of Kid Cudi, Ray Cash, and Bone Thugs-n-Harmony; what prompted your move to Atlanta? Also what’s the Hip Hop/R&B scene like in Cleveland? Who are some artists we should lookout for?

The music scene is what prompted me to move to Atlanta. The Hip Hop/R&B scene is active as far as I know but there is no major outlet and that was another reason that prompted me to leave home and go to Atlanta. As far as I know any one that has been successful in entertainment ( music or acting ) has left Cleveland Halle Berry, Bone Thugs-n-Harmony, Terrance Howard, Bobby Womack, Eddie Levert, Avant, and Kid Cudi just to name a few. Look out for The Plague Co. and Phoenix Jones based out of Cleveland residing in Atlanta, female rapper Chevy Blue, producers Young Yonny and Kalam aka Killah Beats, and the entire roster at Hushmoney Managementout of Cleveland.

You’ve produced for many artists, how did it feel to have one of the artist say that the track you produced was their favorite track on their album? (”My favorite track would have to be everything, number 6″-Murs)

To have an artist say that your contribution to his/her project/album is their favorite is one of the best feelings in the world as it pertains to something created, that is ” priceless “.
Shout out to MURS!!!!! Go pick up that ” Murs for president ” album!!!

I read that you’d rather be in the studio working than out in the club. So how do you relax, and what do you do to for fun? Also is it true club appearances come with the territory of being an industry insider?

I relax by getting as far away from music as I possibly can, for fun I like to workout & throw parties (small get togethers) and bar-b-que. The club appearances do come with the territory more so for the artist rather than the producer/songwriter, but whatever you do in music/entertainment it doesn’t hurt to be out and about for the sake of networking.

Many producers have a musical background such as school bands, musical training, or playing instruments. Do you have such a background?

I played the trumpet from the 5th until the 9th grade I hated it. I just did it because band members always got called out of class for events. Saying that to say believe it or not, being in the band had nothing to do with me choosing music production for my career.

How would you describe your sound and what do you strive for when creating tracks?

My sound is diverse and what I strive for when I’m making beats/producing depends on my vibe. I might feel like reinventing the wheel or I might be inspired by something I hear on the radio/T.V./top 40.

Take us inside your creative process; tell us what goes into you creating tracks. Also are you one of the producers that use live instruments?

My creative process is fueled off pure vibe. I might come up with a melody in my head or remember a song from my dreams; I might start playing on the keyboard to see what happens. It’s like one of those method to the madness situations, and I do occasionally get with guitar players depending on the vibe of the track.

Producers use various different software versions, synthesizers, recorders, drum machines, and keyboards. What equipment do you use?

I use a MPC 2500, Motif ES & XS 6, Access TI Virus, Protools 8, and a Pioneer CDJ.

In your opinion what are the attributes of a great producer, and what are the makings of a great track?

The attributes of a great producer in my opinion are having an open mind and being a visionary. The makings of a great track is a great vibe and good energy.

There are many new producers popping up on the daily basis; is there any advice you could give to them?

The advice I have for up & coming producers is to be innovative and learn everything it is to know about publishing, especially before you sign anything.

You’ve created your own brand and launched a group called The Plague Co. How did this group form? And what is your relationship with GMM-Grown Man Music?

The Plague Co. was always together for the most part, we grew up together myself and Okelis are cousins. I was there from the time he was born up to the present and me and Donny Arcade met in 1995 we went to school together.
I am not apart of GMM any more; I don’t know if GMM is still around. The members were myself, Stat Quo, and Zeek who was both of our manager but, since then Stat went his own way and myself and Zeek ( my manager ) still rock til this day.

Many people have different opinions on what Hip Hop and R&B needs, what do you think these genres need? Also what will help propel these genres to the next level?

I think they need to bring back diversity to the Hip Hop/R&B game and as far as what will propel the game; they need get back into focusing on real talent instead of this stuff that anybody can do. [Otherwise] How are you going to sell something to somebody that feels they can do it their self? Everybody couldn’t do what Michael Jackson or Prince did and still does see what I’m saying?

In addition what are you doing to help further music and push the limits creatively?

Outside of the mainstream artist that I’m working with I’m focusing on my group The Plague Co. The music we create has no creative limits, saying that to say, we are going to be one of the pioneering groups. As far as bringing creativity back to this non-creative, non-innovative, slump that Hip Hop is in at the moment.

You are more than just a producer and studio owner. You are also an engineer, song writer, video director and editor. When did you transition into each different trade, and what was the catalyst causing each change?

I got into engineering about 3 years ago, video editing/directing about a year ago and I started writing shortly after I started producing in 1997. The catalyst that caused each change/transition was the fact that I’m a very independent person, saying that to say, if there is anything I want done I do it myself. I’ve always been self-reliant with anything I’ve done in life, so I guess my own will power and determination was the catalyst.
Thanks for letting me share my story and express my views!!!
Shout out to my manager Zeek, The Plague Co., Phoenix Jones, Big Norf, the new 3 headed monster ( myself, Kalam aka Killah Beats, and Young Yonny ) Sincere my publicist, and CLEVELAND!!!!!!!!!!

The Plague Co.

Free- Rocking That Thang(Remix)

2009-08-19T12:44:00.001-07:00

Free's Rocking the Mic on a Rocking That Remix.

Free- Rocking That Thang(Remix)

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Juvenile feat. Pleasure P Hands On You

2009-08-19T12:37:00.001-07:00

Juve's Back will R&B's new bad boy Pleasure P! Check out Hands on you!

Juvenile feat. Pleasure P Hands On You

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Omarion - Get It In (Feat. Lil Wayne)

2009-08-19T12:31:00.001-07:00

Omarion - Get It In (Feat. Lil Wayne)

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New 2011 Bentley Mulsanne

2009-08-19T09:09:00.000-07:00

Bentley unveils it's new toy, the Mulsanne let's how who will be hopping out of one first!

Jay-Z Ft Rihanna

2009-08-17T15:08:00.001-07:00

Jay-Z Ft Rihanna & Kanye - Run This Town (Part 2)

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Fabolous - Money Goes, Honey Stay Feat. Jay-Z

2009-08-17T14:51:00.001-07:00

Fabolous - Money Goes, Honey Stay Feat. Jay-Z

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Mike Vick' First Practice

2009-08-16T22:05:00.000-07:00

What I Did Was Horrendous

2009-08-16T21:35:00.001-07:00

What I Did Was Horrendous

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Bow Wow Inks Deal With Cash Money Records

2009-08-16T21:31:00.001-07:00

Bow Wow Inks Deal With Cash Money Records

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Young Paper Tha City Paper

2009-08-15T15:52:00.000-07:00

One Cashville's best shoots a video! Check it out!

New Wale Song

2009-08-15T12:40:00.000-07:00

My Sweetie by Wale

Download here.

New Iron Man 2 Footage!!!

2009-08-15T06:18:00.001-07:00

Mary J Blige -I Can Do Bad All By Myself

2009-08-15T06:14:00.001-07:00

Mary J Blige -I Can Do Bad All By Myself

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Trey Songz feat. Fabolous

2009-08-15T06:01:00.001-07:00

Trey Songz feat. Fabolous & Teyana Taylor

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NEW MUSIC: Chris Brown - Changed Man

2009-08-15T06:00:00.001-07:00

NEW MUSIC: Chris Brown - Changed Man

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Jay-Z- Run This Town Sneak Peek

2009-08-15T05:58:00.001-07:00

Jay-Z- Run This Town Sneak Peek

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JAMIE FOXX DEVELOPING ‘THE NEXT IN LIVING COLOR

2009-08-14T07:33:00.001-07:00

JAMIE FOXX DEVELOPING ‘THE NEXT IN LIVING COLOR' FOR MTV…

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Mike Tyson Opens Up About Daughter's Death

2009-08-14T07:18:00.001-07:00

Mike Tyson Opens Up About Daughterâ€™s Death

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Michael Vick is BACK!!!

2009-08-14T07:13:00.000-07:00

Mike Vick is back in the NFL, and he's soaring with the Eagles! We'll soon be seeing what Vick can do on the field.

Check out the 60 Minutes interview below.

Watch CBS Videos Online

Crown Jewelz

2009-06-03T13:15:00.001-07:00

Check out the insight of this young man. Confident in his skills he stands at the edge of the game awaiting his time to shine. Introducing Rick Jewelz a young man showing tons of potential from Denver, Colorado. He is currently unsigned however he has worked with super producer Rodney "Darkchild" Jerkins. This young man is making some major moves. His diversity and creativity should carry him far. Look for Rick to be on a stage or TV near you soon!

With so many artists now entering the game, what sets you apart from the others? What should people know about your music before they listen?

I'm very versitile. Listening to an album by me would be similar to listening to a mix playlist on an iPod. I don't feel I have a sound like somebody else, it's just me. You might hear me do an RnB song, and rap on a verse, then the following track could be me rhyming on a pop track, or a techno, whatever.

Many artists have muses or find inspiration in many different ways. What inspires you to create, and how do you keep it new and refreshing?

I'd say life inspires me the most. I usually write about what I see, or experiences I've been in. Also I'd say established songwriters inspire me. I look at how they create and it helps me to be more creative.

Hip hop is an ever changing landscape, and people feel in different ways about it. Looking at the industry where do see both hip hop and yourself in the next 5 years?

I see Hip-Hop still being around, just maybe a different form of Hip-Hop, listening to it now it's not the same as it was in the 80's or even 90's, but I think it'll be around in maybe a different format to how it sounds. It seems like people are leaning more towards dance/rap nowadays so who knows. And as for myself I see me as one of the top 10 Songwriter/Producers in the game. I work at perfecting my craft daily so I know in 5 years i'll be gettin the recognition i deserve.

When people hear your music, what message are you sending and what do you want them to walk away with from your music?

The message I feel I send is to just be yourself. Don't try to be what everybody else is, or sound how everybody else does, just be yourself and keep it refreshing.

There are some very memorable acts in hip hop that will be remembered throughout history. Where do you want to be placed in the history of hip hop?

I want to be placed as one of the best of course. Not saying that to be cliche, but I feel that what I offer to music will classify me as one of the best to do it. I'm only 19 years old and feel that by the time i'm even 22 I'll be one of the top 5-10 in the game.

Producers often time kick it into over drive to create new and amazing tracks. When you can tell the producer has really got it in on the track, does it cause you to step your game up to match their effort? And do you feel that some artists don't step up to their production (without naming anyone)?

Of course, when I hear certain producers tracks that are just crazy it makes me want to load up my program right then and try to top it, I listen to EVERY little sound in the beat to see what it is they did different then what I usually do. And as for artists not stepping up to their production. I do feel a lot of them don't. They may have a hot beat, but barely get along as far as the track goes overall.

With so many amazing hits on the radio and TV right now, which tracks have you heard, and wished you could've thought of or been featured on?

I'd say Turn My Swag On, cause the beat and the hook is so similar to something I would make. Best I Ever Had by Drake, cause I've said almost everything he was saying on that track to females I've dated, but never formed it into a song. Shouts to Drake though he's mad talented.

There has been a rise in artists that produce as well. This is an incredible display of talent. Do you also produce as well as write?

I produce and write. I'm apart of the group Team Green Productions. Concept and Win schooled me on how to be the producer I am today. They're currently signed to Beat Bangers.

Where you're from how does the local market receive local artists, and do your local radio stations help to promote the local hip hop scene? Also how important is it for local radio to support their local artists?

Simple as this, nobody really supports anybody out here honestly. It's get it how you live. Its a shame that people in their own state don't get love from their peers because everybody is so focused on themselves. Radio stations out here won't play anyone's track unless you cough up about 70 G's and nobody's throwin that out. I think it is important for local stations to play local artists though, it shows support.

Now artists have a plethora of mediums at their disposal to get music to their fans, however records sales are still failing. Do you think this is due to the economy, leaks, and downloading?

I think it's due to the leaks and downloading. The economy in my opinion isn't so bad that you can't go out and spend $12 to support your favorite artist. Its the fact that you can easily get the album you want online for free.

Speaking of downloading, many artists have taken the approach of "buy or download my music however you can get it just get it." This seems to be prevalent because artists are getting paid from touring in the absence of record sales. Would you agree with this sentiment? Why or why not?

Yeah I'd agree with it, because at the end of the day, they're paying more to see you on tour than buying your album. And as long as you have the fanbase for your tour you'll get your bread back.

Who were you influences as a child and how have they changed as you've matured?

Snoop and Dr. Dre influenced me to first start rapping, then when I got serious with it around 7th or 8th grade Fabolous has always been one of my main influences.

How important is it to show growth and mature as an artist?

Very important, I've grown ALOT since '99 when i first recorded. And even since 2007 when I released The Rebellion. Growth shows that you can move with the times but still be as good as your fans expect you to be.

Do you feel that there is a difference between Hip-Hop and Rap? Please explain?

Kinda/Sorta. It used to be "Rap" was more hardcore, and Hip-Hop was more socially conscious. But nowadays I feel they're almost one in the same.

Who are your top five dead or alive emcees?

I'll just list 'em, no specific order. Jay-Z, Fabolous, Jadakiss, Kanye, and I'd say Drake, cause he's the only person I feel that's young and really saying something.

Mega City's Finest

2009-05-17T11:38:00.000-07:00

You're one of the sensations from across the northern border that is making some noise down here in the Southern U.S. Would you tell us a little about you and where you're from?

I'm from Toronto, Canada. I was born and raised in the east end of the city in Scarborough. My first record to really take off internationally was I BANG with Remo Da Rapstar, it was on over 150 different mixtapes and spun in high rotation on several stations including Shade 45. Since then I’ve been putting out music consistently, just trying to make a name for myself.

When did you first know that you wanted to pursue a career in Music?

The last time I got out jail. I spent a good portion of my late teens in and out jail. I knew if I stayed on the negative path I was on I would probably spend the rest of my life in jail or dead. I’ve always been passionate about music and I decided it was time for me to make a career out of it.

Many Hip-Hop artists often venture into other areas, are you looking at expanding into producing, label owner, clothier, or even acting?

I want to do everything. I'm a pretty creative person I have a lot of ideas. I’ll probably end up venturing into the television/film industry, if not with acting probably with writing. I'm very observant of my surroundings, and I’m constantly finding myself witnessing the funniest situations, so writing comedy just comes naturally to me.

A lot of cities have virtually unknown Hip-Hop scenes, however very few people think about Canada and Hip-Hop. Even though this year it looks like Toronto could take the world by storm. What are your thoughts on the Hip-Hop scene in Toronto, and its ability to influence the American scene?

Toronto is definitely on the come up. Last summer Kardinal had tremendous success. He had a giant billboard with smash with Akon. This summer Drake has the industry on smash. His situation with Wayne is a beautiful thing, he’s constantly letting it be known that he’s from Toronto which is great. The pressure is definitely on Toronto right now, Drake has set the bar real high and the world watching to see what we have to offer next.

Some other artists from your area have crews behind them i.e. Kardinal Offishall has TDOT and Drake has ATF. Do you currently have a crew of producers or rappers waiting in the wings?

Of course. The Count Money Cartel (CMC) is loaded with talented individuals from across Toronto. From a music standpoint we got rappers, including: Bambi Bugatti and Knoxx Hoffa. We also got my lead engineer Sunny Diamonds, my photographer David Wilder. My team is loaded with talented producers as well; I’m managed by the biggest producer management company in the game, The Trafficker Management. Our production team consists of Mega Man, Y-Not, Soundsmith, Boi-1da to list a few.

Different areas have different slang, vernacular, or lingo. Most notable is the Bay Area. Will you put us on some of the Toronto slang game?

Strong Back: a girl with a fat ass.

Wah Pop: how’s it going

Dun kno: you know what I’m saying

Seen: yes/ok

I am quite sure that you've heard all the talk about Hip-Hop being dead or struggling just to breathe. What are you're thoughts on that, and are you going to be the one to provide the much needed kick to put it back on track?

Hip hop is not dead and will never die. Record sales are down on a whole. No release in all of music during the first quarter of 2009 went platinum in that time period. We can’t judge the health of HipHop on record sales. Hip Hop is alive and thriving as a culture. From a fiscal standpoint, Eminem’s got his album dropping this spring, that’s going to revitalize record sales for the first time since Lil Wayne’s album dropped.

Personally, I’m always trying to push life into hip hop. Every time I write a record or chose a beat, I always ask myself “has this been done before?” What I’m trying to do with music is express myself creatively in an innovative way that hasn’t been done before. With any art-form in order to have progression and in order to move forward you got to have innovation and originality.

You are dropping tracks like Nadya Suleman is pumping out children. At this point are you currently signed or in the works of closing a deal?

I’ve had a lot of offers recently, but getting signed doesn’t make you a star. I’m trying to put myself in a situation where the demand is so high for my music that a record deal makes sense. As of right now, a record deal doesn’t make sense for me, I'm still getting my music out to the world and making a name for myself. I’ve got a tremendous team surrounding me, allowing me to advance independently. Hopefully after I drop this next project I’m working on, containing all original production, my buzz will be high enough that I’ll feel comfortable signing on to a major label.

Since you seem to post new links to songs on the daily basis, how often are you in the studio?

I record probably twice a week a couple hours a session. A lot of rappers go to the studio to hang out and have fun. I enjoy recording, but I treat it like work, I go in and try to record quality over quantity. I try to keep my time in the studio as efficient as possible. Oh yeah, shouts out to Sunny Diamonds, Diamond Factory Studios, if you’re in Toronto it’s the best place to record.

What is in store for the upcoming year any tours, albums, or mixtapes?

You’re going to be hearing a lot from me. I have been doing a lot of features for artists. There are a couple mixtape projects dropping, I'm going to continue my SAMPLE ME series, Volume 2 is pretty much finished, hosted by homie Boodoo, Infamous Soundcrew. I’m also recording an album, its all original production. It’s untitled as of right now, I’m trying to have it ready for this summer. It’s a very conceptual album, I’m having a lot of fun recording it and the production on it is incredible. I feel like I got the greatest producers, I’m experimenting with new sounds, it’s a real personal project and I can’t wait to release it.

For those that don't know you, what mixtape, album, or song would you say best embodies you as an artist?

Nothing that has been released yet, truly embodies my creative capabilities as an artist.

What major artists and producers have you worked with and will there be any future collaborations with anymore?

Most notably I’ve done a few records with Drake. Production wise I’ve worked with Megaman and Boi-1Da, they’ve produced for G-Unit, Young Jeezy, Lil Wayne etc. On my upcoming album I have a few crazy features.

What artists and producers do you want to work with both locally and nationally?

Locally I feel that I have already had the opportunity to work with most of the people that I’d want to. Internationally, there’s a lot of artists that I’d want to collaborate with. I’d have to say I’d want to work with Keri Hilson, she’s an amazing talent. There’s also a lot of artists outside of the hiphop genre who I’d hope to work with in the future.

From a production standpoint, I have been very fortunate to be part of The Trafficker Management. Our whole movement has tremendously talented and contains established producers including Mega Man, Y-Not & Soundsmith, Boi-1Da, Zalezy etc.

Internationally, from a production standpoint I’d want to work with Danja/Timbo, Kanye and Dr. Dre.

There are many legends in the game, of those who is your Top five dead or alive MC's?

I grew up listening to Big L, Rakim, Ghostface, Nas, Kool G Rap. Those are the artists that have influenced me the most.

If someone wanted to feature with you or request you for a show, how would they get in touch with you?

Send me a message a on facebook, twitter or myspace and I’ll forward you my contacts for my management team.

New Artists

2009-05-10T23:10:00.000-07:00

Check these guys out. If you like music you'll love there guys! Real musicians and artists. Both are Songwriters and producers. Interviews coming soon!

Mann-Anything- http://www.zshare.net/audio/5950023816a5ebe2/

Mann-Foreal Tho - http://www.zshare.net/audio/5918215447cfde64/

Mann-No Techno - http://www.zshare.net/audio/5967136599e81e1e/

Mann-Congos & Maracas - http://www.zshare.net/audio/59671212d993b853/

Mann-Crush - http://www.zshare.net/audio/5966723499fbff73/

Lil Buddy-She Got Me Feat. Phil - http://www.zshare.net/audio/570441671e660f58/

Lil Buddy-I'm Fly - http://www.zshare.net/audio/59677284a9afb0cd/

Check The Teknik

2009-05-08T21:42:00.001-07:00

Dj Teknikz

Dj Teknikz, you are one of the deejays putting on for the south in a major way. How did you get started in the industry and how long have you been on the scene?

Industry wise i got started by simply following my dream. I had been dj'n for a couple years before that, but in 2004 I decided to get serious and make it a career. I jumped out there and started doing my thing and slowly but surely God blessed me enough to grow in it.

Many deejays work closely with either one label or an artist. Are you currently affiliated with any labels or artists?

I work closely with alot of artists and labels, but I don't attach myself exclusively to one label. I tried that before and realized it wasnt what I was looking for. In my opinion you're limiting yourself if you line up with just one label. I feel as a dj I'm here to serve all labels and artists collectively.

The Dj is a quintessential part of all music be it Rock, R&B, Hip-Hop, Metal, or whatever. You guys break records/artists, mix, scratch, beat match, and entertain. You are also one of the driving forces of music and the industry. What would you say is a deejay's job or purpose?

I think that all depends on what role you play as a Dj. With that said, speaking for myself as a dj who is mostly known for mixtapes my duty is to break artists & hot music first! My job is to provide a platform for (most importantly) new upcoming acts to stand on so they can be heard, discovered etc. etc.

You have put out some big mixtapes such as; the "Georgia Muscle," "Rookie of the Year," and most notably both the "If You Buyin We Sellin," and "Executive RnB" series. How important is it as a Dj to brand yourself and your work?

Branding is essential in anything you do. The life of a brand is way longer and stronger than just let's say a popular name. Branding yourself assures longevity and stability in whatever it is you do. For example look at the Coca Cola brand, they are not the only soda company but everytime you think soda first thing that comes to mind is what?

Mixtapes are a way for both artists and consumers to "test the waters," how significant are mixtapes to the industry?

When it comes to hip hop mixtapes are the foundation nuff said! No questions , no comma, no nothing... next question? (laughs)

When can we, the fans and purveyors of music, expect to get a another Teknikz mixtape?

S**t tommorow! I stay working and I stay putting out produc... that's my formula.

Deejays are now looked at as stars in their on right. How important is for a Dj to be revered and/or remembered?

Funny thing about this question is if you go back in history the dj was the star and the rapper was the back up! (laughs) Funny how history repeats itself huh?

You as well as many other artists and deejays are taking over the internet and social networks. How important is it to have a presence on the web, and how has it helped your career?

The internet is very very powerful! It is the new marketing and promotion tool FOR FREE! Half of the sites and blogs I'm on I don't even know who runs them, but I damn sure appreciate them for having me up there! The internet let's you reach audiences that you would never touch before. It has its cons too, but used in the right way it can catapult and even create careers.

In the game now, there are lots of the "playlist" deejays that do not understand the craft. What advice would you give them, and how can they get the skills necessary to advance their careers and earn respect?

NONE! (laughs) we all can't be chiefs I geuss we need some indians. Once a playlist dj always a playlist dj!

The Core Dj Retreat just ended in Atlanta at the W Hotel, this is regarded at as a great networking and learning opportunity. Were you in attendance and how important are these type of events?

Yes I was in attendance. They are great places to meet people and rub shoulders with your peers, and build relationships you know? Shouts to the core dj's!

There has been a lot of talk this "Death" of Hip-Hop. Did Hip-Hop ever die and if so would the present be considered as the Renaissance?

If hiphop was dead we wouldn't be having this conversaton. Look at the people who are saying its dead? It's probably time for them to do something else or worry about something else. The youth keep hip hop alive. Hip hop stays evolving and that's what's going on right now. If you can't keep up well maybe its time to tune in to your local jazz station.

Southern artists have long been underrated or even ignored, even though the south has some of the hottest and most consistent artists. For instance; OutKast, Goodie Mob, UGK, 8ball & MJG, the legendary Scarface, and many more. What are your thoughts on the southern Hip-Hop scene now versus the past?

I think southern hip hop has not yet reached its full potential. Take just Atlanta for instance so many new stars come out every year! Southern hip hop is one of the purest forms of hip hop left today. Everyone does them from dance, to dope boys, to gangstas, to lyricists, you can find them in the south.

You are a well read individual, what is your educational background, and how has it affected your career?

I stopped at college. Somewhere in my sophomore year. (laughs) Education is important in whatever you do. As far as my career is concerned I'd say it has helped me in the communication realm, but for the most part my drive comes from my ambition and chasing the dream.

Being as you have an affinity for reading, what are some must reads in your opinion?

For me its Daymond John - "Display of Power." The story of how he built his empire is mind blowing and I can definately relate!

The Grand Design

2009-05-03T06:15:00.001-07:00

Becky "The Great" Russell

Becky Russell, has come a long way from the little girl that was drawing ball and fantasy princess gowns. She is now a custom designer and force to be reckoned with. More than likely someone in your cd changer has rocked one of her designs. She has worked with artists from Anthony Hamilton to Young Buck, All-Star to Nokio, and athletes from Dante Culpepper to Roman Oben. This dedicated and extremely talented young woman will surely be on a runway during fashion week in a city near you soon. B. The Great Exclusive Designs is the hottest and most interesting apparel since Miskeen launched thier hand-painted origianls. It has already won one SEA (Southern Entertainment Award). Stay tuned and lock in early; in the word of Diddy, "Let's Go People!"

Hip-Hop and fashion seem go hand-in-hand; many artists have parlayed their music success into prominent clothing lines. Would you like to launch your own line, or work as head designer of an established brand? However, you could be like Marc Jacobs (Louis Vuitton) and Tom Ford (formerly of Gucci/YSL Yves Saint Laurent), and have your own line while being the creative director over another company.

I am currently working on an EXCLUSIVE line of graphic T's. There will only be 10-15 of each design. I don't want to overpopulate my line, the easier it is to get, the less of a demand there is for it. I actually just applied for a position at an up and coming clothing company. I would love the opportunity to work under a company to gain experience. I think I have alot to bring to the table, and at the same time, I will come up with new and more innovative ideas for my own line.

Many people feel that there is no "American” fashion. Would you agree with this statement? If not could give some examples of “American” fashion?

To be completely honest- I think fashion is fashion. Other countries are influenced by our style as well as we as Americans are also influenced by them. Its all about the trendsetter that took the risk and brought it to our attention. When you say American Fashion... It has to exist... because I create it!

Speaking of the American fashion houses, what is your take on European vs. American fashion?

Im gonna be real, I only pay attention to my fashion. Being that Im American Im assuming that American Fashion is all I know. If you google European Fashion, its no different form ours. So who influenced who? I don't know.

Okay Becky, many people have seen your apparel on stars throughout the country. How did you get started in the clothing industry?

I have been employed at the YMCA Fun Co. for 10 yrs. Well 5 yrs ago, I decided to organize a fundraiser with my 16 kids. I wrote, produced, directed, and choreographed a play about a girl that wanted to dance. One scene required 12 shirts and hats. I called the local airbrush shop and their prices were way too high- So I bought the equipment myself- and did it on my own. And it just took off from there. I studied the art of airbrushing, but I never intended to be like the average "airburshers" because that look was played out to me, so I kept experimenting with different techniques. It only took one person to walk out in my designs, it blew up from there!

When did you first take an interest in fashion design?

When I was in the 3rd grade- I would sit in class and design ball gowns, and fairy tale type dresses. Then when I was 11 my mom bought me an airbrush gun and compressor for my birthday, I played around with it- but ended up giving it away because I didnt know what I was doing!

Who were some of the designers that inspired you in the beginning, and now how do you stay on the cutting edge?

I was greatly influenced by a designer named "Phetus" he was the designer for Ludacris and the infamous Black Wallstreet Hoodies seen on The Game. He inspired me to think outside of the box. He turned out to be a real ass hole- so Im not inspired by his egotistical demeanor. Another designer is my friend Grass from futurekicks.com He gave me a shot early on and believed in my craft. He is a BEAST with shoe design.

Hip-Hop fashion is now blending the lines between Punk, Emo, and Skater fashion. How has this affected your designs recently?

I have many different customers as well as styles. I feel like a "custom" designer should be able to adapt to the customers personality. I have GANGSTA ass customers, as well as Neo Soul customers. So I can't really say the ever-changing trends have affected my designs. When I create a concept for a shirt, I decide which trend would make it POP! Right now in my personal designs, Im leaning towards bright colors and the whole 80's look. Its HOTT!!

The new trend for people now is this skinny look. What is your take on this as a designer? Is the skinny look able to worn by all people men and women, as well as the slender and the rotund?

Not too sure what the "SKINNY LOOK" is [laughs] but Im assuming you mean people wearing the clothes that actually fits them. I'M ALL FOR IT. There is nothing I hate more than a 2x man ordering a 4x tall T. Or a man wearing 36x32 bringing me a 40x42. THATS NOT HOT! I think its sexy when a man has on appropriatly fitting clothing. With that being said- I'm not sure if the rotund man can pull off the skinny leg jeans like a thinner man can, but hey- its all about your swag and confidence. If you like it, I love it!

Couture is popular in mainstream fashion. Are you strictly a Hip-Hop designer or would you branch out to formal, evening, business, or even couture attire?

I dont categorize my style as Hip Hop. Its one word and thats versatile. I've done a prom dress, I've designed blazers, I've designed childrens clothing, I've design heels for women, and I designed hood stuff too. I am not limited to one style. I am currently working on a line for strickly women that will be HOT stay tuned!

Being from a small city that is not synonymous with fashion, how difficult has it been to get noticed?

Well since its a small city, I'm easily noticed HERE, but when I meet a high end client and say I'm from Nashville, their facial expression is pricelss. But I truely believe that my city has nothing to do with my failures or successes. Its about my product and if I'm not being noticed- I need to go back to the drawing board.

I have heard that as a beginning clothier it is important to get your product to trade shows. How often do you attend trade shows?

I have NEVER been to a trade show. I hope I will be able to attend in the near future. But being a single mother with NO HELP with my clothes or at home. I have to prioritize, and it just hasn't happend for me yet. I would love to attend one, I think it has alot to do with why I'm still working in my kitchen and not a multi millionaire right now [laughs].

Fashion seems to be very oxymoronic, in that it is both progressive and digressive at the same time. What are your thoughts on the current new millennium late 80’s early 90’s trend?

Trends recycle. And when they resurface, they are hotter than they were then! I think if a gangsta ass rapper from New Orleans can bring back skinny red jeans; anything has the potential to make it back around!

I’ve been told that all of your pieces are custom, hand made works of art. Is this true, and how do you handle such a task with the orders you receive?

YES!! I create everything by hand- but the end result looks factory made. I take my time and create each piece. Whether its a $50 shirt or a $150 shirt. They get the same attention. I don't do this for the money, I do it for the love of the craft. And it shows in my product. Honestly when I am overwhelmed with orders, I lose sleep, sometimes forget to eat, and get headaches, but Im a grinder. I dont stop until the job is done and up to my standards.

Have you received any awards for hard work?

I recieved the SEA Clothing Line of the Year for 2008

Who are some of your clients?

SOME? If I say one I'll have to say them all, so I will just say My top SPENDERS locally and my TOP nationwide.

LOCALLY: All Star, Rip (Cashvilles Ace), Dolewite and Scooby, West (facin 20), and Roc B

NATIONWIDE: Nappy Roots, Anthony Hamilton, Nokio (Dru Hill),

You have some of the hottest designs, like hand placing 2000 Swarvoski crystals onto one fit. How would customers contact you, and what is your pricing structure?

Yeah, that hoodie was CRAZY. I ended up in the emergency room a few days after from serious back pain due to sitting in one place for 7+ hours placing the stones on there very carefully. They can contact me via MYSPACE.COM/FUTUREAIRBRUSH or beckythegreat112@aol.com. Prices are based on the desired design, BUT dont expect to pay less than $50 for anything!

Tragedy To Triumph

2009-05-03T06:06:00.000-07:00

Gabrielle White

Gabrielle White is an outgoing and vivacious young woman looking to solidify her spot in the world. However on June 10, 2002, the dream was almost cut short. On this day she was involved in a horrendous automotive accident. She defied the odds and overcame her adversity; from not walking to dancing, from not talking to singing, from wires and tubes to brushes and make-up crews, and tragedy to triumph! After recovering her outlook on life was changed forever. She seized her opportunities and hit the ground running, and she now has the single You'll Single Be One in rotation at a radio station near you. Gabrielle has just wrapped her first mixtape The Gift of Gab, which is available on datpiff.com for free. So take some time to download and vibe to the sensual sounds of Gabrielle White!

Recently, you have released The Gift of Gab mixtape and you are now working on another. What else is happening in the life of Gabrielle White?

The Gift of Gab mixtape was my first project that allowed me to solely focus on me and showcase my talents as a recording artist and songwriter. It opened up many doors for me and I am excited to see my story unfolding. In the works is a movie soundtrack, major collaborations, and some television… definitely stay tuned!!

Your story is inspiring, after a horrific and near fatal automotive accident you recovered to pursue your dreams. How does it feel to have come so close to death, and now start living the life of your dreams?

I feel more alive now than ever before. My appreciation for life, and my attitude toward man-kind, has changed drastically. I consider myself blessed to be here and I devote a lot of my time to motivating those around me. I pursue music for the chance to inspire others on a larger scale. My attitude now is that you live once, so it’s imperative you make the most of it.

How have the events of your life inspired you to move forward?

No matter what, I don’t give up and I don’t believe in set backs. I believe there is no such thing as set backs. Sometimes you must take a step back in order to spring forward. I have experienced things I would never wish on anyone and I don’t take for granted that I am still here. That’s what keeps me going. You should never give up on yourself.

When did you know that you wanted to pursue music as a career?

Believe it or not, I am actually part of that one percent of singers that didn’t want to be a singer since I was born. (laughs) It was a hobby for me. I always enjoyed singing as part of the church choir, at school plays, and family functions. I decided on pursuing it as a career when I saw how powerful music was and the role it played in helping me overcome a very difficult time in my life.

You're a talented musician and not only vocally, what sparked your interest in the violin?

The violin was my mom’s idea. I wanted to play the drums and she didn’t want to hear it. Definitely don’t regret it. I love classical music and opera now. Pachebel’s Cannon in D is one of my favorite songs to play.

The Gift of Gab is a great work of art, with money good selections. With whom are you currently signed?

Currently I am an unsigned. My team is very supportive in helping me to develop myself as an artist and I am always challenging myself to outdo what I have already done.

As a singer/songwriter you pose a double threat to the industry. How has this helped while in contract negotiations?

It makes it more fun and exciting for everyone involved. The simple thought of my capabilities now, based on my resources, and the potential that is there which has not yet been tapped into… it’s exciting for everyone involved. It’s history in the making. Just be prepared. I can’t let all the secrets out now it ruins the element of surprise… (smiles)

Being as you are a skilled violinist, whats the chances of seeing you with Miri Ben Ari?

That’d be cool. She is so awesomely talented it’s amazing. I’d love to work with her.

There are lots of prolific artists, producers, and songwriters. Who in the industry do you look forward to working with?

I am pretty much open to working with everyone because there is just so much talent out there. I could never list them all. I have so many people I admire and look up too. I will say there is one person that I would absolutely love to get a chance to meet and work with, and that’s Stevie Wonder. What he has done despite all odds is truly amazing and a gift to music.

It seems that you are constantly in the studio recording and working. How often are you actually in studio recording and writing? Also, how many records would you say you have stashed away?

Writing is something I do all the time. I used to jot ideas down on napkins and gum wrappers if that was the only thing available. Now my BlackBerry allows me to write lyrics, and record voice notes, and email them to myself for safekeeping. I love it!! As far as how many records I have stashed... Let’s just say I want to be the 50 Cent of R&B. I watched an early interview of him and he said Jay [Jay-Z] told him never stop making hits. When everyone else is hooked on that single, keep making records nonstop!! So that’s what I do.

You are taking over the internet, and you interact with those that befriend or follow you. In what ways has the internet helped expand your career and fan base? How important is it as an artist or someone in the public eye to have a presence on the web?

Well the #1 social media site right now is Twitter. If you’re not on Twitter you need to get on it and follow me (Twitter.com/GabrielleWhite). I love Twitter because it doesn’t have all the spam that Myspace does and it allows me to interact with my fans personally and get to see what’s going on in their lives as well. People have mixed opinions on it. Just imagine Twitter as live conversation on a NYC train. You can hear everything and your average Joe is seated right next too Jane the executive. It’s great. Some people choose to act Hollywood, some people push products…I don’t judge. What’s most important to me is Twitter has given me a chance to become like family with my supporters. They’re no longer followers, or fans, they’re family and they go through almost everything with me and get a chance to feel closer to me as a person as well as an artist.

The internet has changed the way people get access to music. This has helped the indie labels as well as major labels, and perhaps the rewards goes to the fans and artists. What are thoughts on the digital music output options and how they instantly connect the product to the consumer? Also, how does it help gain feedback on new projects?

The digital market allows you to reach a wide audience faster than you ever could, in more creative ways. It also helps to get feedback on records for when you want to decide on the next single to put out.

Low records sales and "bootlegging" are plaguing the industry. It is more important to create solid, quality music now more than ever and touring or showmanship has become very important. Sales and revenue are increasing when artist start touring. In what ways has this effected your strategy?

“Bootlegging” isn’t a new phenomenon though. My friends and I used to record our fave songs off the radio by recording them to cassette. I think going digital just made things easier. I don’t condone it, I’m not entirely mad over it… because on one hand my number one fan might bootleg a song and convert all their friends to my music. Its inspired me to find more creative ways to reach out to my target audience and profit. Being an artist isn’t just about making creative works anymore. You’ve got to be an entrepreneur, and flexible—to work with the times. When life throws you lemons, make lemonade.

Many artists have interests outside of the realm of music. What else do you plan on pursuing or have you started pursuing opportunities in other industries?

When I set out to do something, I pursue it with fierce passion. I put my all into it. I’m looking forward to having my own non-profit organization and being able to give back and inspire others. Television, movies, literature… I look forward to Gabrielle White becoming a household name, and brand you can rely on even in these times of uncertainty.

If you weren't pursuing music, then what would be your occupation?

It’d most definitely have something to do with public speaking and helping others… more than likely I’d be in the healthcare field. I love working with people and helping kids.

What words of encouragement and wisdom can you impart upon those pursuant of their dreams?

You have to be your #1 investor and your #1 fan. No one will back you if they don’t even see you believing in yourself. Time is money, and if you put the time into yourself people will follow suit and make sacrifices for you as well. Always remember dreaming is the easy part. To wake up and face hard work everyday and actually make your dream a reality is what matters most. I think what makes or breaks us is that one time we don’t give up. Never quit on yourself.

Black Panther Still Here Still Strong

2009-04-10T18:33:00.000-07:00

While searching through one my many social network pages I came across one of the more interesting people I've talked to recently. I now am proud to introduce the Brooklyn born and bread Dj Black Panther, music producer and visionary. He hails from the boro of your favorite rapper's favorite rapper; the home of the emcee. His passion started at age 16 as a singer, and he his now an adult producing classics! This gentleman has written produced and deejayed during his career spanning across 12 years. Black Panther has a view of music similar to that of Neo's view of the Matrix. He strives to constantly produce new sounds and can be quoted as saying,

" I don’t even want to sound like myself on too many tracks."

With that type of sentiment we should see an ever changing and evolving musical artist. Which will always be much anticipated.

Would you tell us a little bit about yourself, and how long have you been in the game?

My name is Michael Eric Hill, but I’m better known as Dj Black Panther. I have been involved in hip hop in many capacities and I feel I have been in the game all my life. I have been officially since 97 when I started Deejaying and doing mixtapes. Before that I was dancing in music videos and doing a little acting so even before 97.

Many producers can play instruments and write songs as well. Can you play a musical instrument, if so what instrument, and do you also write songs?

I wouldn’t say I can play instruments but I have an ear for music and its structure. I can sit down and create melodies, hooks, bridges, Main and lay all parts of a piece of music. And I’m not talking in P. Diddy fashion, whereas he instructs others to play the instruments as he sees, having others bring out his vision. I can sit in front of a keyboard and make something out of nothing, and when I play it for people and tell them I don’t play they think I’m lying. But I have been fooling around and learning the keys in a more traditional fashion so it’s coming. I do write songs, I use to do it a lot more when I thought of pursuing a Career as a singer but I have recently been starting to write again, and have been known to put my "two cents" into a record I’m recording as far as lyrics.

At what age did you first realize you wanted to be a producer?

Well I think ever since I was 16, I wanted to sing, and I was singing in the church choir and I never thought about singing and not producing the material so I would have to say I was 16 when it came to thought.

Many people may have heard a Black Panther track and not realized it. Who all have you worked with and on what songs?

I hear that a lot, it reminds me of Pete Rock. He made so many classic records and so much material and people don’t realize it was him who produces the tracks. I’m not saying I’m on Pete’s Level yet but I’m putting my work in and let the listener’s decided. I have worked with Murs on his Varsity Blues Ep on a song called “The Deepest Blue” I have done a song with Jean Grae called “The Darkest Night Ever!!” I have produced a song for C Rayz Walz called “Camouflage” from his Ravipops Def Jux Debut. I have recently produced a track for Kwote Scriptures Feat. Mr. Cheeks(Lost Boyz) called “You can’t Change the World” I have produced a song for Maya Azucena’s album, a song called “Get It Together” the video is currently in rotation on VH1 Soul and BET J. And I have produce a song for the new Kurious Jorge album as well as a song I did with Umi from The Dead Prez Camp featuring Fred Hampton Jr. for the Black Panther Party.

How would you describe your production style?

I would describe my production style as an incorporation of Hip Hop, Rock, Soul, and R & B told through the eyes of one man’s revolution on sound and purpose. It is designed to be personal and meant to be shared. I’m very drum influenced and it is my favorite part to create in a track, that is where a lot of the passion and soul lies for me. If I would pick just one word to describe my music I would have to say it would be “Meaningful”

Who are or were some of the producers that inspired you and your style?

I would have to say the RZA is a great influence on me as far as soulful music, and great creativity. I have to mention Dr. Dre; he’s a great influence on me. His vision and the way he created a movement and feel with his music, he created cinema with his production and that is something I strive for. I would also mention Pete Rock for his constant musicianship and he’s body of work and Kanye West and Timbaland for there constant Reinvention of the wheel (Their Sound). And last but not least I’m inspired by the that young boy who wanted so bad to be a part of the music and culture, and didn’t know he had it in him to make music that moved him let alone others, me.

Many people are saying that Hip-Hop is dead or on life support. What is your opinion about the current status of the game?

I think Hip Hop as we knew it is dead. And I feel it is going through a phase of growth and new discovery. The park jams of yester year are gone. As well as doing this only for the love. It has become big business, and we as artist have to realize that. We still must have the passion purpose and meaning in our music but we also have to be aware of the Industry and how it is evolving. The whole concept of “I want to be signed” is becoming a way of the past as well as Major Labels. And artist have power and more control over their product and image and the way they deliver music, videos, and information to the listener’s. I feel the old standards of Hip Hop are dead but we must adapt to what music is becoming, as well as pay homage and adhere to the foundation it was built on, for change is the death of the past.

Do you believe that New York's Totalitarian control over Hip-Hop has finally been broken? If so would you say it is for better or worse?

I feel, so what if it has. I’m New York, Brooklyn born and raised and I think it died the moment we started asking if it died. The whole concept of “New York” rap dying is a concept thought up not by the Hip Hop culture but the Executives running these labels. We act as if the south, west coast or Midwest are different planets and are so amazed that they can rap there. Rap is like child growing into a man, it expands and reaches out into different areas and regions. It grows as its audience grows and matures. If I had one thing to say it would be that New York Rap will never die because even as these other regions and countries develop their artist and gain popularity it is New York where this was born. Their success is a shining example of what was built here and we should embrace the future as well as the founding fathers who made this all possible.

What do you use primarily to make your tracks, and how you feel about beat making programs such as Fruity Loops and Garage Band?

What I use to make tracks is my MPC 2000Xl, Reason, Sonar, Melodyne and Sampletank and I’m good. I don’t have a problem with producers using Fruity Loops, Garage Band or any of the other programs. I feel it’s what you bring to the table and how you use the programs that matter the most. I’ve seen some producers I know use a shitty ass program and made some incredible music and some producers using the latest and greatest and made shit so it’s up to the person using it and there creativity.

Many producers have often turned into Hip-Hop artists or record label execs. Is this something in your future?

Well I don’t see myself turning into a recording artist; I’m more of a behind the scenes kind of person. But as for turning into a label Executive I do have a digital label that I put out my last project “My Eternal Winter” on. It’s called Manekineko Pro (duction) and we are developing a few project that we are very excited about and are bringing to the light. We a re-working with Respect Tha God from the Perverted Monks on his solo debut as well as Agent Smith a west coast Emcee on his Debut as well and in the Beginning stages of a new Black Panther record as well.

How hard is it coming up with new sounds, harmonies, and melodic compositions? Do you find yourself ever sounding like someone else?

I don’t think it’s hard to come up with new sounds, harmonies, and melodic compositions, but I do think it takes time to do so. Sometimes, to speak for myself, it can take a few minutes to a few days or more. I feel we are to hung up on "fast food" music and celebrate making something fast instead of making a piece of music good enough to stand the test of time. If you go to any party to this day you will still hear classic joints “The Bridge Is Over,” “Shook Ones,” and so on and so on. That’s because good music will stand that test of time and live through generations. I never find myself sounding like any other producer cause I constantly try to challenge myself and my boundaries. I don’t even want to sound like myself on too many tracks. I can’t stand to feel stagnant and I’m my own worse critic.

Who are some artists that you want to hear on on your tracks R&B, Hip-Hop, Pop, or Rock?

I would love to record with Mos Def. I’ve been fan of his ever since I copped the first single “Universal Magnetic”, and with his range I think we could come up with some great music. T.I., I have been a real fan of his of late and I really like how he has developed as an artist and I love the new tone his music has taken. Kanye, even though he is a great producer in his own right I would love to work with him. In the R& B world I would like to work with Keri Hilson I love her voice, Alicia Keys without question one of the most talented singers of our time and I’m sure she will go down in the history books. And Estelle I really love her last record and the way she incorporates Hip Hop in her music with a clear R & B edge is great. Pop music I think any producer would love to work with Justin Timberlake. He is such a gifted artist and is so versatile and he always comes with great records. I would have to also say Adam Levine from Maroon 5. That’s one of my guilty pleasures right there I love that group and I think there music is timeless. This is a new group but The Script, I would love to work with them. They have a song out right now, “The Man Who Can’t Be Moved,” that I really like. In rock I would have to think about that one; no one really stands out to me that I would see myself working with.

Kanye West said on the album "College Dropout," that he was "making five beats a day for three summers." How often you are in the lab and how many tracks do you turn out each day?

I love that Kanye line because it’s so true; you have to lock yourself up sometimes and create and create to get some of your best material. I do at times make three beats a day or more but with me it’s about quality. Even though I do make a lot of tracks I keep going back to them re-work them, and try to bring them out more and more instead of just having hundereds of okay tracks I'd rather have 50 strong songs. But I’m in the lab everyday whether it’s to work on new music, or revamping the older tracks or just finding new ways of using my equipment.

What would you say are the most important skills that a producer should have?

I would have to say the most important skill is to have as a producer is to have an ear for the progression and structure of music. It is the basis of all music no matter what the genre or style. You have to know how to create a full and complete song from melody, to refrains, bridges, and beyond. To understand why certain songs work and how they don’t is essential when your working in the studio with an artist, and your helping them make the best work they need to be able to lean on your ear for input.

Who are your top five emcees and of all time dead or alive?

My top five list would go something like this:

In no particular order

1. B.I. G.
2. Tupac
3. Nas
4. Jay Z
5. Eminem

For those reading this that have heard of you and those that haven't but may have heard a track and are interested in production; how would they get in touch with you?

For all production and other inquires they can contact me at manekinekopro@gmail.com and I also have a link for production inquires at www.djblackpanther.com in the contact section.

Stix Still Flows

2009-04-10T18:22:00.000-07:00

Recently, I was afforded the opportunity chat with a good humored emcee from Nashville, TN. This MBA graduate and former Belmont student has grown drastcally as an emcee. Stix has gone from gritty to insightful, meaningful lyrics. This artist now expresses a depth rarely seen by artists his age in this day and time. To put it simply Stix Izza beast!

Whats good Stix Izza? How's life been since Spring Bling?

Life has been cool, moved out of the city and moved back. Put out 8 mixtapes, won mixtape artist of the year in 08, worked with some major artists/ producers, been on a couple tours, just been working, and preparing the release of my new cd now. Although the last three months I have been completly shucking and not releasing any music, which will all be discussed on my new CD.

Stix Izza, when did you throw the Izza at the end? Was it due to copyright infringement from the old rock band?

[Laughs] Nah it wasn't becasue of the rock band, shout out to them. I think they spelled their name Styx though. But I did a song off my first cd titled "Stix Izza." At the time I went to college at Belmont, and my friends used to just call me Izza after that. So, eventually i just put the Izza at the end of Stix, and it just stuck with me

When did you decide that music was the path for you?

I decided music was my path when i was writing songs instead of going to class and got kicked out of school [laughs]. Nah but seriously it was when I was in college and didnt think about anything but music every day. And that it was something I had a passion for and wanted to excel in that. So wit that being said, I just went after it and havent looked back since.

How long have you been writing and rapping?

I would say around 9 years. I wrote my first song in 8th grade. I went to high school at MBA (Montgomery Bell Academy), and played basketball there. On our road trips I used to freestyle on the bus an p**s people off [laughs]. I didn't take it to serious then.

We all know you rap, but do you also produce or ghostwrite at this point?

Yeah, I have just began to produce my own records. Which is a plus for me, and I've been ghost writing for artists/singers for the last two years, and not only hip hop either.

You're from the south and that may come as a shock to some. So what do you think about the current state of Hip-Hop is it dead, on life support, or thriving in the south?

I think it is alive and well in the south, but its seems people are angry because New York doesn't have the game in a cobra clutch any longer.
I think mainstream hip hop should incorporate more real lyricists into the their equation. I don't think hip hop is dead. I think it lives everywhere. It's not that serious to say it's dead. The labels might have watered down the mainstream hip hop but it lives everywhere, and especially in the south.

If memory serves me well I believe you were once affiliated with All-Star, Young Rell, Broadway, and those guys. Is that still in effect, and are you affiliated with any other local producers or artists?

Yeah, I've worked with all those guys. I started off with Rell ,Star, Paper, Fate, Coop, and etc. Broadway produced my entire first two cd's, so shout out to him. I've been working with a singer/producer/party and event planner Mario "Rio" Moore, lately as well. Ocean Jones and myself just recorded a new record with Young Buck. I also just did a record produced by super producer Craig King called "Stay Away," but i work with alot of guys from Nashville, its where I am from.

How would you describe your style?

Izzacredible!!!

In what ways do you believe that you have grown as an artist?

I've matured. I use to rap about a lot of things just to be rapping, for the hell of it. Now my songs have substance, meaning, maybe they help some people get through their day, maybe they don't, but it's about real life. Not just about one subject matter like I used spit about.

Many people have different opinions about Hip-Hop and what it is. It seems to have started in simplicity, however people now think it has to be complex. What do you think defines true Hip-Hop? Is it gripping lyricism, incredible metaphors, colorful stories, or is it just whatever drives a person to create, and spit words to a beat?

I think its creativity honestly, and having the courage to say what u want regardless of what people will think, and how they look at you. It is expressing yourself as a person.

Were you once signed to an indie label, and are you currently signed or in the works of closing a deal?

I used to be in a situation with an indie. Where i moved to Charlotte, NC, but I'm back to Nashville now. I am strictly just Stix Izza. I've been in talks with other indies, but I don't know if that's where I want to take my career right now.

Do you currently work closely with one producer, or do you try to branch out for a more diverse sound?

I have been in the studio a lot with Rio. Who sings as well, but I will branch out. I want to work with whoever wants to work with me and has alot of positive energy and creative ideas. I'm sick of the norm!

Are you currently working with any celebrity DJ's like DJ Drama, Clinton Sparks, Teknikz or Chuck T?

I've done one mixtape with Dj Chuck T called "Gotta Get It" which was a cool mixtape to me. I've been in contact with Dj Smallz and others, but right now I've been focusing on releasing an album more so than a mixtape.

For those that don't know you, what mixtape, album, or song would you say best embodies you as an artist?

Probably "You Should Love Me," I think that's a hard record people should listen to!

There are many legends in the game, of those who is your Top five dead or alive MC's?

Jay z

Eminem

Tupac

Big L

Biggie

The Art of Deejaying

2009-04-01T12:07:00.000-07:00

Dj C-Dub, is an up and coming Dj on the club circuit. He is also breaking into the mixtape circuit with his monstrous "TKO" series. This young man is definitely someone to watch. Just come to Nashville, TN or surrounding area to see what the buzz is about. From scratching to artist breaking, Dj C-Dub is about his business and heading for greatness. Stay tuned and keep it lock on C-Dub. You will definitely be entertained. "Dj C-Dub Is The Knockout King!"

Hip-Hop Examiner: So for those that may not know you, who is Dj C-Dub?

Dj C-Dub: Dj C-Dub is the knockout king in Nashville, TN! I have my own creative style and talent. C-Dub, C comes from Corey that is my first name, and the Dub I came up with that from if you look it up in a dictionary like dubbing a tape it means to copy. How I came up with that is from when I travel to go see other Dj’s I see what their craft is, I copy it, create my own style with it, then bring it back home and create something new everybody hasn’t heard yet.

HHE: How did you get started and how long have you been in the game?

C-Dub: I’ve been in the game since November 2006 so that’s about two years. I’ve worked at the skating rink since I was about 16. When Dj C-Lo came to the skating rink to start Djing “Old School Sundays,” and when I seen the actual craft of using turntables I said "that’s what I want to do," cause I liked it. I’d go over his house every now and then, he’d actually show me how to mix songs together and blend two records together. Once that came about I’ve been on my own and every since then he says "I’ve created a monster!"

HHE: How difficult would you say it is to get into Djing?

C-Dub: You just gotta have a love for music, and an ear for music. Once you understand beats per minute and how to mix songs together then you’re good to go.

HHE: In what other capacities do you work other than as a Dj; are you a producer, rapper, songwriter, engineer, or event organizer?

C-Dub: Right now, I call myself an event organizer; I am getting ready to start my company D.U.B. Entertainment. D.U.B. also comes from C-Dub and is an acronym which stands for “Doing it Up Big.” I wanted to try to do something different in Nashville, and try to bring artists in. I have a connection right now with F.L.Y. they sing the song “Swag Surfing,” trying to get them to come in and just start D.U.B. Entertainment off right, to bring something new and something different for everybody.

HHE: As a young DJ in the game who were your influences? I see you mentioned C-Lo earlier.

C-Dub: Yeah, he’s one of them without him I wouldn’t have learned how to work them 1’s & 2’s. As far another influence I’d have to say Dj Ajay the guy that’s over the Derrty Dj’s based out of St. Louis. He works or 100.3 The Beat. He works in the program department, so seeing him work radio he does the five o’clock mixes at the radio station, does the hottest nightclubs at night, does concerts, finds sponsorship money, brings artists in, still runs the Derrty Dj’s, has us come in, he pays us, he gets a lot sponsorship, he’s involved with Pepsi (Pepsi Dj’s), he has a lot going on as far as Dj’s. Also, he works on promoting artists to record labels.

HHE: What would you say a Dj's primary job is and what skills should a Dj possess?

C-Dub: I believe there are two things a Dj should have. One thing is a Dj should break new records. It’s cool to be playing the same Webbie and Lil Boosie, but if you see a song that’s hot that’s not playing in your city that’s playing in another city you should network with other Dj’s. You should want to be the first to break it in your city. So you can say I broke that record right there nobody was that record right there until I started playing it. It makes you feel better as a Dj instead of just copying everybody else and doing the same thing. Another thing is a Dj should be an entertainer. That’s what people paid their money for to be entertained. When Ricky Smiley or Steve Harvey or Cedric the Entertainer gets up on that stage they are entertainers. They are there to entertain the people; the people came to pay their money to be entertained. So a Dj should get up there and entertain. It’s more to it than just playing songs or pushing play. You have to react with the crowd and get them to react back, so when they leave the club they want to say “Dang I had a good time. C-Dub rocked it.” So I feel that’s what a Dj should do.

HHE: I see you mentioned Derrty Dj’s earlier what Dj crew are you currently affiliated with?

C-Dub: Yeah, I am a part of Derrty Dj’s based out of St. Louis, the Futurestar Dj’s based out of Florida, right now though I am doing my paper work for the Core Dj’s that’s one of the bigger crews. A lot of their members do radio or they get on TV. They all network with each other. Tony Neil is over that. That’s my next move, and I am getting ready for the Core conference in April.

HHE: In listening to lots of mixtapes and frequenting clubs I've noticed that the art of scratching seems lost. However I did notice that you and Dj Crisis had a battle of sorts showcasing your skills. It was reminiscent of the "Juice" days and old school Hip Hop. Do you think that the art form is indeed lost or is it just not popular?

C-Dub: Yes, it is a loss, for someone who starts Djing I think they should be taught the art of scratching. When I started scratching I didn’t really know that there are many different types of scratches. There’s like 50 different types of scratches. Everybody thinks that there is just one, but there are several different types. If you go get a dvd or go on the internet and look up types of scratches you’ll see the different types of scratches. I went out and got a dvd about the different types of scratches. I haven’t mastered all of them yet but I am still trying. It is a loss for it. We have a lot of what I call cd players. They go into the club and just press play, and let a song play then when that song ends they’ll stop and do a little talking then play the next song. So I call those cd players not actual Dj’s or scratchers rather.

HHE: As a Dj I know a lot of artists are constantly trying to get music in your hands. Where do you see Nashville's Hip Hop scene within the next 5 years? Do you think it will be a hot bed for artist similar to Atlanta?

C-Dub: Nashville can be like that, but Nashville is closed-minded on music. If they have an open ear to more music it can be like that. Another thing is Nashville doesn’t have that outlet for new music. Besides 101 The Beat, and the reason for that is the way the programming is going over there. Programming is a little better, and the radio station is more community oriented. I feel that the new music can come to the radio before it hits the clubs. But, it’s the other way around the new music hits the club first, then its dead in club by the time it hits the radio, people are like “Man that’s already old.” So, it should be the other way around.

HHE: How many artists have you helped in their pursuit of stardom and are you currently associated with any artist?

C-Dub: Yeah, I’m associated with Rip “Cashville’s Ace” I am his Dj you know getting his thing started and off the road. Also Semi, he’s an artist here I am working with him.

HHE: I noticed that last year about April 5, 2008 “Keys 2 tha Chevy” was reached number one on the Billboard Hot R&B/Hip-Hop Single Sales.

HHE: And for all the fans of the "TKO" mixtape series, when will the next installment drop?

C-Dub: Matter of fact I am going to put it on Facebook today. You can get it on Facebook or you can shoot me message and get a copy. I am not going to press up many of this mixtape. It’s the “I’m So Cashville Mixtape.” I’m promoting artists from here that submitted music to me, and I feel that are sufficient enough to move on to the next level. I put them on their and mixed it in with a lot of Gucci Mane, Soulja Boy, and stuff like that. I tried to give you a variety so you’re not just listening to all of Nashville and bore you out. I mixed and blended it together. I’m working on Round 5 it should be ready by the end of April.

HHE: In recent years, there have been several DJs that have reached super stardom. Is stardom and albums in your future as well?

C-Dub: I would like to that. Get some hot producers on there and help produce the artists and also produce myself. Of course, I want to scratch and mix the songs on there. I believe a mixtape is not a mixtape unless you mix the songs together. If I do get that deal and get up there, you better believe that them songs will be mixed blended on the album.

HHE: Not to offend anyone but other than you, who would say is the hottest DJ in the city?

C-Dub: The hottest Dj in the city I’d have to go with C-Lo. If you checked the records there is not a one that says I don’t like him or I can’t stand him. He’s good with the Grown and Sexy crowd, college crowd, or weddings he’s an overall versatile Dj. Not to down anybody but each Dj has their own style. Whether it’s being good at the hood clubs, just good on the mixtapes, or throwing parties to make money, but as far as being versatile for the people I’d have to go with Dj C-Lo.

HHE: Do you have a weekly schedule, if so where can people catch you?

C-Dub: I do not have a weekly schedule. With me being from Nashville, I am busy doing teen parties, or I am doing house parties, or I’m doing weddings, or I am doing 50 year old birthday parties, even though I go to Tennessee State University I am not doing a much there as I should, but I am busy doing other stuff. Like Lane College, I am at Austin Peay a lot; I was up there three times last week. April 3rd and 4th I’ll be in Little Rock Djing for an artist showcase. So I am busy doing other stuff, you just have to call 615-482-8687, you just have to call me cause I’m hot and I’m moving around.

HHE: How do you balance the two demanding schedules of being a Dj and a fulltime student?

C-Dub: I got to! It’s hard, it’s sacrificing. I also have a car note and phone bill. I look at it as do I want to go out of town and network or do I want to pay my car note? Djing is working and paying my car note. Djing is cool but I also have to get out and network with other Dj’s whether you need other records, whether you need advice from somebody that already been there, or if you if you just the upper hand, or if you need a connection or a link to something, whether it’s trying to be on TV, or on radio trying to get a slot on radio. If you’re trying to get anything you need to network and build a relationship with other Dj’s. So when they say Nashville, TN what’s the first name that comes to mind? That should be C-Dub. You should want that relationship with other Dj's. Not to walked around like you got the “big head,” but also be humble and hear what other people have to say.

HHE: Who is your top five DJ's of all time?

C-Dub: Top five Dj’s 1. C-Lo, 2. Ajay 3. Chris Styles out of St. Louis 4. Dj Bryant D and 5. Dj Rage

HHE: In order to really get a feel of the epitome of a DJ who should people check out?

C-Dub: Me, I’m playing but for real though ME! Dj Shakim Bow Wow’s Dj. He’s out of Atlanta and when I was on the Bow Wow tour and he rocked the crowd on the Bow Wow tour, you’d be entertained, like that’s an entertainer right there. That’s something that I’ve always wanted to do was to be an entertainer.

The Aftermath and New Found Independence

2009-03-23T22:28:00.000-07:00

Recently I was able to get in contact with one of my favorite artists, and take time to sit down with him and learn more about the man and his career. For those of you that don't know Stat Quo, he is an incredible artist once signed to Shady/Aftermath, and has now found independence. Stat Quo has a stunning collection of mixtapes that define him as an artist. He suggests that anyone seeking to find out more about him and his style just Google him and download his mixtapes. He says and I concur, you will be pleasantly surprised by the sound. This former student of the University of Florida had contemplated law school before turning into a Hip-Hop artist. Stat has collaborated with Young Buck, Kanye West, Jermaine Dupri, The Game and Chamillionaire just to name a few. I would recommend Stat Quo to anyone looking for a change of pace in the Hip-Hop arena. Just check out the interview below to learn more about this talented young man.

Hip Hop Examiner: Despite having a considerable fan base, some people still don't know Stat Quo. How would you describe yourself and your sound to those who aren’t familiar with you?

Stat Quo: It [my sound] is more of a surprise once they hear my background and style, and know about the people I was involved with. I think they be surprised by my sound and versatility I am able to adapt to any track and any style as far as East Coast, West Coast, or down South.

HHE: On what mixtape or song do you think best embodies you as an artist? What would someone need to listen to become a fan?

SQ: Its process and collection of works, I don't think one song will describe me. You can’t listen to one track and know any artist. You can't listen to a Biggie track or one Biggie song and know him as an artist. You can't listen to just one Tupac track and expect to know Tupac. There are many different sides of Tupac. I would say just Google my name and download my mixtapes.

HHE: What's going on In Stat Quo's world right now? What projects are you currently working on?

SQ: "The Invisible Man" will be available in April, then "Smoke & Mirrors.""The South Got Something to Say," "The Bailout," and "Quo City" are already available for download. That could give people a great idea of the sound.

HHE: To what label are you currently signed?

SQ: Currently, I am not signed. I am independent.

HHE: What is going on with Grown Man Music?

SQ: Grown Man Music fizzled out. Me and the people I was involved with decided to go in different directions. We were going in different ways in business. There are no hard feelings.

HHE: I was listening to a song on the mixtape "Statically Speaking" and a bar stuck with me. You said, "I wish the rap game wasn't filled with fools, so they could make better music for these people to choose." With that said, what do you think about the Current state of Hip-Hop?

SQ: I was saying, I wish people and the executives would be more individual. I wish people would be more inclined to do more things by themselves.

HHE: How often are you in the studio?

SQ: Everyday, I have a studio in my house.

HHE: At this point would you say that you have same excitement as when you entered the game with Shady/Aftermath?

SQ: Once you learn the business side it is a little more frustrating. But I am definitely excited about giving people good music!

HHE: You were on the song "Walk With Me" on "Straight Outta Cashville," is there any chance of hearing Stat Quo and Young Buck or Stat Quo, Young Buck, and The Game on a song?

SQ: I hope so; I'll do a song with Young Buck again.Buck is like family. I think Buck is an incredible artist. I think Game in an incredible artist. I was never involved in any of the altercations that happened. I admire 50 as a business and a father for the time he puts in with his son. I think they are all great men. It's a shame what happened, I wish they could all come together and do music again. At the end of the day they are all great men.

HHE: If you weren't in the music business then what would be your occupation?

SQ: I would probably be an attorney working in mergers and acquisitions. I would probably still be in entertainment I think that’s embedded in me.

HHE: And lastly, who is your top five dead or alive MC's of all time?

SQ: Scarface, Tupac, Jay-Z, Biggie, Andre 3000, and an honorable mention to Eminem. That’s not excluding the originators. It is like talking about basketball, Michael Jordan is the greatest, but you can't exclude those before him. I speak on these people as the people that I grew up with. When an artist now raps about the streets and the street life you can hear Scarface. If a person is talking about F**K the world you can hear Tupac. When a person can use imagery and tell stories with great word play you hear Biggie. Whenever a person has a new fresh style you can hear Jay-Z, and Andre's creativity and flamboyance paired with his ability to rap over non-traditional hip-hop beats. Take Eminem with his flow and being the only White emcee to reach that level of success. I just hope to be mentioned among those emcees and to hang next to them in the rafters one day.

2009-03-17T14:44:00.001-07:00

Lil Buddy In The Lab

Like My Shit-Lil Buddy

2009-03-17T13:34:00.000-07:00

Pardon The Rough copy but this is someone you guys will need to know.

One of the hottest producers and MC's coming out in a long time. More to come soon.

2009-03-17T13:23:00.000-07:00

Some of you have probably heard about this phenom, but for those of you that haven't here is a tidbit of information for you.

While perusing through magazines and articles about 2009’s next big thing for Hip-Hop, I couldn't help but notice not one of them mentioned Aubrey Drake Graham. That’s Drake for all the Hip-Hop heads and "Wheelchair" Jimmy Brooks for those “Degrassi: The Next Generation” enthusiasts. Drake has been blazing stages and jet setting with Lil Wayne. Drake has dropped three incredible mixtapes, improving with each one. First to touch down was “Room For Improvement” with DJ Smallz, followed by “Comeback Season,” and most recently, the noteworthy “So Far Gone.” These promotional mixtapes play more like albums than the run of the mill mixtape. This leaves us hungry for October's Very Own Interscope Records, debut “Thank Me Later” What songs and features are in store for this much anticipated release? Drake has worked with the likes of Robin Thicke, Lil Wayne, Trey Songz, Colin Munroe, Peter Bjorn and John, as well as Bun B on his mixtapes.

This young MC hails from Toronto, Ontario, Canada with links to Memphis, Tennessee via his father, the talented Dennis Graham, drummer to Jerry Lee Lewis. Believe or not, his musical roots don't stop there; he is also the nephew of Mabon "Teenie" Hodges, guitarist and songwriter to the great Al Green. Along with his tremendous lyrical ability, the youngster may have a future in Memphis Blues as he showcases his vocal abilities on “Brand New,” “I Want This Forever”, and “I’m Still Fly.” “Heartbreak” Drake should be entertaining crowds for years. Just listen and check out his diversity. Jimmie Iovine was quoted saying, “You remind me of Eminem because I’m an old white dude but I can still understand [what] you're saying and it’s so clever and I laugh and I chuckle to myself when I understand your punch lines...'”

I got 'em coming soon!!!!

2008-09-23T02:42:00.000-07:00

This for those who have the address of this blog. I got all you entertainment needs coming soon